
cot started playing the ukulele in 1996, when his daughter was three. While she splashed in the tub, he learned new chords, and together they sang songs. Fast-forward 10 years: Scot started playing at the Monday uke jam hosted by High Strung. Members of the Durham Ukulele Orchestra heard his playing, but they asked him to join the band anyway. Today, DUO entertains audiences around the Triangle.
Mairi Campbell is an award winning Scottish Fiddler and singer/songwriter who lives and works in Scotland, where she runs her own school of fiddling on the Island of Lismore.
His victory in the Blues Challenge follows up on another great honor he received in 2006, when he was selected as an Emerging Artist for the venerable King Biscuit Blues Festival. Throughout his career, Andy has played the full gamut of venues, from major blues clubs to the Iowa State Fair and the fabled Santa Monica Pier. He has gotten extensive airplay and performed live on various National Public Radio stations throughout the US. To date, Andy has released 4 independent CDs, consisting of original and traditional music. In his songwriting, Andy offers a unique perspective, tackling topics old and new in the blues. As a part of his return to North Carolina, Andy has renewed his focus on the Piedmont blues, by playing with masters like John Dee Holeman.
Phil has been playing banjo since his last semester of college in 2003. Majoring in piano literature, he found the banjo to be a welcome break from the institutional nature of my studies. Phil started to play banjo in his rock band and was also excited about standing up and moving around the stage for the first time. (That's right, the "key-tar movement" passed him right by.) As the years moved on, he played the instrument more and more. Turns out, most people around these parts know Phil as a member of the band Megafaun. He's brought the banjo all around this continent as well as Europe, and is one who believes that it strengthens any community. It's a powerful, soulful, and uniting instrument. 
Jim D'Ville is an internationally recognized ukulele instructor and educator. He is the host of the Play Ukulele By Ear blog ( http://playukulelebyear.blogsp
Julee Glaub performs and teaches nationally and abroad and plays guitar, flute, and bodhran, though her first love is traditional Irish song. Living in Dublin for seven years, she immersed herself in traditional singing and upon returning home, became involved in the Irish music scene in the Northeast, where she quickly became recognized as a leading interpreter of Irish song in America. Julee still performs regularly with Brian Conway, Brendan and Felix Dolan, Jerry O'Sullivan and Daithe Sproule. She tours professionally with Mark Weems in the duo Little Windows which performs a mesmerizing blend of traditional Irish, Scottish, Appalachian, gospel and country songs. Julee is the the coordinator for Traditional Song Week at the Swannanoa Gathering in NC. She has also been on the staff of the Irish Arts Week, the Alaska Traditional Music Camp, and the Schloss Mittersill Arts Conference in Austria, among others, and with Mark, has created Camp Little Windows, their own singing camp. She has developed cultural enrichment programs for lower and middle school kids, and enjoys teaching all ages and passing on the torch of traditional song.
instrumental music over the past half century. Growing up in
Jacksonville, Florida, he played violin classical style. As a graduate
student at Duke University in the 1960s, he began collecting oldtime
fiddle tunes from elderly musicians in North Carolina, Virginia, and
West Virginia. Documentation quickly turned to apprenticeship, and he
began playing the tunes of his new mentors in their style. His repertory
of oldtime tunes -- particularly the beautiful old tunes of Henry Reed
of Glen Lyn, Virginia -- was adopted by his band in Durham, the Hollow
Rock String Band. The band's repertory and style became a shaping
influence on the burgeoning instrumental folk music revival of the 1960s
and 1970s. The influence continues today, and Alan
has helped it along by returning to an active schedule of performance
and teaching since his retirement from the American Folklife Center at
the Library of Congress at the end of 1999. His performance style
features complex bowing patterns and a high-energy but graceful
elaboration of the oldtime repertory, and the tunes are always
accompanied by lively story-telling that illuminates the sources and
significance of the tunes.
Alan Julich has been playing, learning, and teaching clawhammer banjo for well over 166,440 hours. Not continusouly however. He's been in numerous bands, some locally famous. These bands include The Porchclimbers led by Vic Lukas and The Stillhouse Botttom Band. Alan and Stillhouse most recently played at MerleFest's Traditional Tent. Alan has had the opportunity to play with the much feted old time fiddler, Joe Thomspon, at numerous venues including Merlefest 09 (and years prior), Hog Day in Hillsborough, MLK Celebration in Carrboro, and the Eno River Festival in Durham. 

befriending banjo virtuoso and Swiss native Jens Kruger, he picked up the banjo. He has studied with bluegrass legends Bill Keith and Jens Kruger. Rick teaches everything from Rock to Bluegrass. He specializes in Wayne Henderson Fingerstyle Guitar and 5-string Scrugg's Style Bluegrass Banjo. He has performed with The Kruger Brothers, Pattie and Jack LeSueur and Cedar Creek, opened for Pierce Pettis, Robin and Linda Williams, and shared the stage with Bo Diddley.
Greg
Merkle is a guitar virtuoso who performs his own remarkable
compositions. His dizzying finger-tapping style is intricately technical
yet intrinsically beautiful. Greg enjoys a cult-like following
in his native New Jersey, and has also opened for musicians like Taj
Mahal, John Hammond Jr., Iris Dement and Johnny Cash.
architect and exponent of what has come to be
known as the melodic clawhammer banjo style. His early career focused
on the Southern instrumental repertory, but his travels in the
Northeast, Canada, and the British Isles led him to begin exploring and
applying to five-string banjo and guitar the rich instrumental
traditions of those regions. In particular, he has become the leading
documentarian of the fiddle music of the Canadian Maritime province of
Prince Edward Island, and he has brilliantly adapted that repertory to
his melodic clawhammer style on the banjo. In the past decade, after Ken
and Alan began performing together, Ken has
again turned his attention to the Southern American fiddle repertory,
and his 2005 CD of fiddle-and-banjo duets with Alan, SOUTHERN SUMMITS, is a new benchmark in oldtime fiddle and banjo performance. The duet style he has developed with Alan,
though featuring the melodic clawhammer banjo style, is actually a
complex style marked not only by note-for-note melodic performance but
by a variety of accompaniment styles succeeding one another as the tune
repeats itself in performance.
Daniel Raimi is
a composer and guitarist living in Durham. Daniel has worked as a guitarist,
composer, and instructor in New York, Los Angeles, and Durham. He's toured
nationally, released one critically acclaimed album (called "New American Wing"), composed numerous film scores, written articles for music
magazines, and worked as an adjudicator at the Hong Kong Music Festival.
Throughout this time, he has taught guitar, composition, and jazz improvisation
at a variety of music schools and arts organizations. Currently, he teaches
jazz improvisation at the Duke String School and, as a complete non sequitur,
is getting a masters degree in public policy at Duke.
Theory for Guitar Players
nationally, around the continental U.S.
beginners and advanced students and enjoys working with young musicians as well as adults (She has taught students from 4 years old all the way to age 90-something). Dr. Scott has taught academic as well as practical music. For ten years, she taught at Duke while serving as the curator of the Duke University Musical Instrument Collections (DUMIC). A cellist, her academic area of specialization is the history of the cello in Britain. She studied cello with Fred Raimi at Duke while she did her undergraduate work at UNC-CH. She earned a master's degree in cello performance at Auburn University and then a musicology doctorate at the University of Oxford (Sommerville College). While in England she continued her cello studies as one of the last students of the great William Pleeth.
Mara Shea lives in Raleigh, North Carolina, where she is a fiddle player, teacher, writer, and editor. She plays Celtic music from Scotland, Ireland, and the British Isles. Dance music is a particular love of Mara's--Scottish country dances, English country dances, and Irish set dances. She performs at contra dances, parties, and with the fiddle-guitar duo The Elftones. Mara also teaches privately, coaching students in the fundamentals of fiddle playing and introducing them gradually to the techniques that make the music sound more Irish or Scottish, danceable, lyrical, and most importantly, fun to play. 
Mark Weems has been studying the nuances of all types of Country music, from mountain ballads and traditional string-band music to honky-tonk songs for over twenty years as a veteran of The Stillhouse Bottom Band, the Weems-Gerrard Band, Little Windows, and his own honky-tonk band, the Cave Dwellers. Sing Out! Magazine recently called him "an exceptionally talented interpreter of old-time vocal and instrumental tunes" and "a gifted composer of timeless music." He tours professionally with Julee Glaub as the duet Little Windows. His music is frequently heard on WUNC's Back Porch Music and has been highlighted on NPR's Thistle and Shamrock. Mark has recorded and/or performed with Tony Ellis (Bill Monroe), Carl Jones (Norman Blake), Alice Gerrard (Hazel and Alice), Daithi Sproule (Altan), and Joe Adams (Johnny Paycheck). He has taught master classes at the Irish Arts Week in New York, at the Swannanoa Gathering in North Carolina, and at the Alaska Traditional Music Camp among others.